the question isn’t are you willing to wear a white poetry bikini then wade into cold, cold water. it’s why *aren’t* you willing to do so.

November 18, 2008

When: Noon, Saturday, Dec. 13, 2008
Where: Green Lake Bath House, Seattle, Washington

We’ve all seen poetry. We’ve seen bikinis. We’ve seen cold water. But have we seen all three in one place? I don’t think so.

A group of brave souls in white poetry-printed bikinis will take the plunge for poetry this December in an event like no other. A.K. Allin, the mastermind behind this chilling event, is looking for 25 hardy individuals to join her. She also needs happy, warm, non-bikini volunteers to bear witness, to hand out towels and to take pictures.

And! She needs some polar bear poetry written just for the occasion — so get to work and produce something “suitable.”

If you have a derriere (and my guess is you do), a poem or a thermos of cocoa to contribute, Allin asks you to contact her at mimiallin at gmail dot com.

I’m only able to catch the very beginning of this event, since I have a planning meeting for Home Alive that day, but I will be there as long as I can be. Whether I’ll be there in a bikini is another story. I haven’t decided yet. I do know I don’t look particularly good in white. It might be a public service for me to remain fully clothed and on the sidelines. (But no worries. I promise to at least stick my toes in the water.)

festival of the trees

November 1, 2008

Just yesterday came news of a new study, to be published in the Royal Society journal Philosophical Transactions A, that further strengthens the case for a tie between ancient boreal forests and a stable climate. It seems that conifers release clouds of chemicals called terpenes — I mean, literal clouds, the kind that help block sunlight. So much, perhaps, for the argument that dark forests help accelerate global warming by absorbing more sunlight!

(Click on the excerpt to read the entire piece.)

matthew hittinger talks about why he writes

October 25, 2008

… to create snapshots of the brain in motion, to document the process of thinking, thinking about feeling, about the emotional states in which one finds him or herself, making sense of the experiences we have with each other, with the world at large, and that ongoing conversation with the self that on some level is in constant marvel at being a sentient being, of having consciousness and conscience. And doing this all within the constraints of form, setting down our individual way of seeing in a construct that will last, that will allow another to step behind your eyes in that ultimate empathic act.

(Click on the excerpt to read the entire piece at Dustin Brookshire’s blog. Also, all I could utter after reading that excerpted paragraph was: “Yes, yes, yes!”)

jo hemmant’s ‘plus-sized’

October 24, 2008

She wants to tell him that once
a man bought her a cream tea
then walked her home on a wet afternoon,
and while Countdown carried on
he placed his head between her breasts
and called her a goddess,
suckled her like an infant
then conked out till six pm,
a dead weight that smelled of
tobacco and chance.

(Click on the excerpt to read the entire piece.)

rebecca loudon talks about cadaver dogs

October 24, 2008

My ideal reader is a person who has suffered, who feels apart, who has known trauma, and who is capable of honestly engaging with the lot they’ve been handed. Everyone has suffered, but some people are willing to embrace the forest that surrounds us, some are not. Many readers prefer the tranquil, the pastoral, the serene. These are not usually my readers. The groundbreaking photographer Diane Arbus once wrote of her work, “There’s a quality of legend about freaks. Like a person in a fairy tale who stops you and demands that you answer a riddle. Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.” (From Diane Arbus: An Aperture Monograph). I think perhaps Diane’s aristocrats are my ideal readers.

(Click on the excerpt to read the entire piece.)

from ‘negatives’ by nathan moore

October 21, 2008

Fragile as a bubble, the body always
floats down the road’s last mile. It
yearns for maudlin hours in the armchair,
incorporated armature, amateur handguns.
Skin seeks defense against time’s
incisors. But mind still pleads with
suffering: “Transfer your broken bones
to me. Crack my ankles, break my arms,
twist my knees. My fingers are cables –
send me your nerves’ frantic energy.”

(Click on the excerpt to read the entire piece.)

jo on blog action day

October 15, 2008

Sun spills through a glass-ribbed roof onto the concourse. On stone, in rafters, the startle of pigeons. People stand waiting, hurry to and from trains.

We are sitting outside a coffee house with iced drinks when she arrives, spills herself over the next table, carrier bags of possessions — a cracked paper cup, sheets of cellophane, all colourless I notice while she roots for something, tablets, asks in accented English for a glass of water and the waitress scowling disappears.

So many layers, surely she will overheat? Two hats and a hood as an aura.

mccain and dementia

October 10, 2008

Kate Evans used my words in her first draft of a poem that she’s shared over at Quarrel. Her draft is really great. And Quarrel is an interesting site. You should check it out. Here’s how the site authors describe it:

Quarrel is a blog where five poets will share work from the very first rough draft and take you through their revision process to the polished poem. The crazy poets joining together on this adventure are none other than some proud homo’s: Dustin Brookshire, Kate Evans, Christopher Hennessy, and Charles Jensen. In an effort not to be too gay they have picked up a token straight poet, Genevieve Lyons.

reginald shepherd on writing

September 24, 2008

I seek to immortalize the world I have found and made for myself, even knowing that I won’t be there to witness that immortality, mine or my work’s, that by definition I will never know whether my endeavor has been successful. But when has impossibility ever deterred anyone from a cherished goal? As the brilliant poet and teacher Alvin Feinman once said to me, “Poetry is always close kin to the impossible, isn’t it?”

on the run

September 20, 2008

Once, I saw the good,
I saw the purpose in every moment
of being still. Once, I held a girl
in my arms until I could no longer

tell where her body stopped and mine
started. Once I fought to be sure I was
heard. But now, now I pull on my shoes,
tuck a key into the tiny pocket
on my water bottle, and take
to the streets. I’ll just run

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This is my blog wherein I, Dana Guthrie Martin, write things and stuff. Most of the time, writing and I hobble along in a sort of three-legged race where there is no finish line. (more...)

In poetry, I don’t have to be an old fat white guy. I can be anyone I want. — Sam Hamill